rock solid memory
Some war memorials have become a part of our iconographic landscape, and it seems to me these structures reify a limiting narrative about war. With this in mind, I began visiting war memorials to see how people behaved at those sites. This gallery represents what I saw. If the pictures come to life, it is where the public's response to the memorial is either aligned with or opposed to the intended meaning of the memorial. And of course that meaning is always colored by our collective perception.
Dear Madison is my attempt to throw light on a more complex war experience as opposed to the limited one portrayed in our patriotic narrative. In this project, which I approach ethnographically, I try to arrive at a different truth through the stories of some veterans (myself included) of our current wars. The idea of defending freedom and an American way of life are abstractions; the lived experience of people affected by political violence is concrete. It is the space between these two poles – the envisaged soldier life and the lived experience – that I explore in this documentary project.
I was asked by the Dean of Student Affairs to photograph the opening of UNC's Veterans Center in September 2017. After accepting the commission, I decided to visit the location so I could learn about the space before making pictures on opening day. Once there, I found people hard at work finishing the landscaping, plumbing and heating system. It was then I realized the story of the center was as much about the workers making the space possible as it was about Carolina's veteran population. So, I began visiting there daily to witness the center come to life.